In the run up to the release of Fallout, the new movie in the Mission Impossible franchise, Paramount studio re-released the entire Mission Impossible series on 4K Blu-ray last month. The new discs aren't only a huge upgrade for cinephiles -- they're also a fascinating glimpse at how studios can revive older films for the 4K/HDR era. Engadget: "In terms of any re-transfers or remastering that we are doing for our HDR releases, we will go back to the highest resolution source available," Kirsten Pielstick, manager of Paramount's digital mastering group, said in an interview. In the case of Mission Impossible 1 and 2, that involved scanning the original 35mm negatives in 4K/16-bit. As you'd expect, the studio tries to get the original artists involved with any remasters, especially with something like HDR, which allows for higher brightness and more nuanced black levels. Pielstick worked with the director of photography (DP) for the first Mission Impossible film, Stephen H. Burum, to make sure its noir-like palette stayed intact. [...] "Our mastering philosophy here is always to work directly with the talent whenever possible, and use the new technology to enhance the movie, but always stay true to the intent of the movie," Pielstick said. "You're not going to want to make things brighter just because you can, if it's not the intent of how you were supposed to see things." [...] "You also have to remember that we're not putting in anything that didn't exist on the film [for HD remasters]," Pielstick added. "It was always there we just didn't have the ability to see it. So we're not adding anything new, we're not doing anything to increase those, we're just able to look at the negative in a much clearer way than we ever could before."
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